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        <title>Original piano music - Don Caron bestsellers - Music for Ballet Class - Scores</title>
        <link>http://doncaron.com/news.html</link>
        <description>Music for Ballet Class: Scores</description>
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            <title>SCORES AVAILABLE (in chronological order)</title>
            <link>http://doncaron.com/news.html#2</link>
            <description><![CDATA[<html><body><br /><p><em><strong><font size="4">Piano Quintet</font><font size="3"> </strong></em><br />piano, 2 violins, viola, cello<br />10 minutes<br />1974 <br />available<br />composed while living in Daryl Redecker's house for the summer with no food, no job, and no life. What the hell was I doing writing music?  <br /> <br /></font><font size="4"><em><strong> <br />The Moment </strong></em></font><font size="3"> <br />a capella choir  <br />3 minutes  <br />1976  <br />available  <br />setting of a poem by Toby Lurie. Composed for the Whitworth College Madrigals. Thomas Tavener, director.  <br /> <br /></font><font size="4"><em><strong> <br />Meditation </strong></em></font><font size="3"> <br />String quartet and voice  <br />5 minutes  <br />April-May 1977  <br />available  <br />Composed for the ordination ceremony of William Schrempp. Commissioned by Bob Beaumier.  <br /><br /></font><font size="4"><em><strong> <br />Interlude </strong></em></font><font size="3"> <br />flute, violin, cello  <br />5 minutes  <br />May 17-30, 1977  <br />available  <br />Composed for the wedding ceremony of Libby and Michael Moore  <br /> <br /></font><font size="4"><em><strong> <br />Piano Prelude #6 </strong></em></font><font size="3"> <br />piano  <br />6 minutes  <br />December 14, 1977  <br />available  <br />Composed for Marion Pruitt, a student pianist at Whitworth College.  <br /> <br /></font><font size="4"><em><strong> <br />Christ Climbed Down </strong></em></font><font size="3"> <br />acapella choir.  <br />5 minutes  <br />1977  <br />available  <br />Setting of a Lawrence Ferlinghetti poem. Composed for the Whitworth College Madrigals. Thomas Tavener, director  <br />  <br /></font><font size="4"><em><strong>Fughetta </strong></em></font><font size="3"> <br />a capella choir.  <br />3 minutes  <br />1977  <br />available  <br />Setting of a poem by Toby Lurie. Composed for the Whitworth College Madrigals. Thomas Tavener, director  <br />  <br /></font><font size="4"><em><strong>Mirror Images </strong></em></font><font size="3"> <br />a capella choir.  <br />3 minutes  <br />1977  <br />available  <br />Setting of a poem by Toby Lurie. Composed for the Whitworth College Madrigals. Thomas Tavener, director  <br />  <br /></font><font size="4"><em><strong>Piano Prelude #5 </strong></em></font><font size="3"> <br />piano  <br />3 minutes  <br />April 25 1978  <br />available  <br />Composed for Gloria Bregger, a piano student of the composer. <br />  <br /></font><font size="4"><em><strong>Toccata </strong></em></font><font size="3"> <br />piano and orchestra  <br />10 minutes  <br />1978  <br />available  <br />Composed for Linda Siverts and the Whitworth Symphony  <br />  <br /></font><font size="4"><em><strong>Zen Droppings </strong></em></font><font size="3"> <br />a capella choir  <br />4 minutes  <br />1978  <br />available  <br />setting of a poem by Toby Lurie. Composed for the Whitworth College Madrigals. Thomas<br />Tavener, director  <br />  <br /></font><font size="4"><em><strong>Acronyms </strong></em></font><font size="3"> <br />Eight French Horns  <br />10 minutes  <br />April, 1978  <br />available  <br /><br /></font><font size="4"><em><strong>Music for Organ, Violin, and Percussion</strong></em></font><font size="3"> <br />organ violin, percussion  <br />12 minutes  <br />1978  <br />available  <br />Commissioned by Michael E. Young for a concert series at Whitworth Presbyterian Church.<br />Specifically for the tracker organ in that church. The organ part was written using the tracker organ and employs techniques peculiar to that type of organ with half pulled stops<br />and weird things of that nature.  <br /><br /></font><font size="4"><em><strong>Tribute </strong></em></font><font size="3"> Violin and soprano  <br />4 minutes  <br />June 20, 1978  <br />available  <br />Composed as a birthday present for Michael E. Young, composer/organist. Lyrics are the final phrases of Four Quartets by TS Elliot.  <br /><br /></font><font size="4"><em><strong> <br />Prelude no. 3 for Piano </strong></em></font><font size="3"> <br />Piano  <br />3 minutes  <br />1979  <br />available  <br />Composed for pianist Steve Kuntz  <br /><br /></font><font size="4"><em><strong> <br />The Ring from Berrocal&#146;s David </strong></em></font><font size="3"> <br />Organ  <br />6 minutes  <br />1979  <br />available  <br />Commissioned by David Aschenbrenner who I was never able to track down after the music was finished. Later I used as the opening theme from this work for the opening of the ballet Centerpiece.  <br />  <br /></font><font size="4"><em><strong>The Seasons </strong></em></font><font size="3"> <br />String quartet and soprano  <br />12 minutes  <br />1979  <br />available - water damaged masters  <br />Composed for Mary Van Voorhis, who at the time was a student in the voice department of Whitworth College.  <br />  <br /></font><font size="4"><em><strong>Words of Cummings </strong></em></font><font size="3"> <br />organ and violin  <br />12 minutes  <br />Completed October 8, 1979  <br />available - water damaged masters  <br />Commissioned by organist, Michael E. Young. Based on the rhythms of a poem by e.e. cummings.  <br />  <br /></font><font size="4"><em><strong>Piano Prelude #7 </strong></em></font><font size="3"> <br />piano  <br />6 minutes  <br />Completed February 9, 1979  <br />available - water damaged masters  <br />Composed for Colette Valentine  <br />  <br /></font><font size="4"><em><strong>Four Mixed Drinks from the Bartenders Standard Manual </strong></em></font><font size="3"> <br />piano, horn, flute  <br />12 minutes  <br />1980  <br />available  <br />Composed for Verne Windham, Linda Siverts, and Francis Risdon who were performing at<br />Henny's Lounge at the time under the group name "RSVP."<br />  <br /></font><font size="4"><em><strong>Centerpiece </strong></em></font><font size="3"> <br />Yamaha DX7, Mirage Ensonique, piano, percussion  <br />25 minutes  <br />1980  <br />available in rough manuscript  <br />Commissioned by Spokane Ballet. Choreographed and composed by Don Caron and Elizabeth Carlssohn.  <br />  <br /></font><font size="4"><em><strong>Poem</strong></em></font><font size="3">  <br />harp, violin, flute  <br />8 minutes  <br />May, 1980  <br />available  <br />Composed for the final vow profession ceremony of Kateri Caron into the community of The School Sisters of Notre Dame. Premiered at the ceremony in Mankato, Minnesota.  <br />  <br /></font><font size="4"><em><strong>Ravel </strong></em></font><font size="3"> <br />horn, flute, piano  <br />5 minutes  <br />summer 1981, Mexico City  <br />available  composed for the Group "RSVP."  <br /> <br /></font><font size="4"><em><strong>Five Gifts for Third Child</strong></em></font><font size="3">  <br />Yamaha DX7, Mirage Ensonique, piano, percussion  <br />25 minutes  <br />1981  <br />available  <br />Commissioned by Spokane Ballet. Choreographed and Composed by Don Caron and Elizabeth Carlssohn. <br />  <br /></font><font size="4"><em><strong>Lady Macbeth</strong></em></font><font size="3">  <br />Yamaha DX7, Mirage Ensonique, piano, percussion  <br />2 hours  <br />1982  <br />available  <br />Commissioned by Spokane Ballet. Choreographed by Christopher Aponte. Composed by Don Caron<br />and Elizabeth Carlssohn.  <br /> <br /></font><font size="4"><em><strong>Syllogism for violoncello and descant </strong></em></font><font size="3"> <br />cello, recorder  <br />7 minutes  <br />1982  <br />available  <br />Commissioned by Robert Beaumier for Bob and his future wife, Marian Fletcher.  <br /><br /></font><small></small></p><br /><p><font size="4"><em><strong>Theme from Chilam-Balam</strong></em></font><font size="3">  <br />reed, piano  <br />7 minutes  <br />1982  <br />available  <br />A setting of words carved in the marble of the Museum of Anthropology in Mexico City.:<br />Toda luna, toda dia, todo ano, todo viento camina y passa tambien. Y todo sangre llega a lugar de su quietud.  <br /> <br /></font><font size="4"><em><strong> <br />Variations for Flute and Piano #2 </strong></em></font><font size="3"> <br />piano, flute  <br />7 minutes10 minutes  <br />1982  <br />available  <br />Composed as a senior recital piece for Whitworth College graduation requirements.<br />Performed by Cherie Merel.  <br />  <br /></font><font size="4"><em><strong>A Form of Happy Birthday </strong></em></font><font size="3"> <br />Horn, flute, piano  <br />5 minutes  <br />March 27, 1982  <br />available  <br />Commissioned by Verne Windham for the price of a banana bombardier at Henny&#146;s Lounge.<br />Composed in Henny's Lounge while drinking banana bombardiers. Written to commemorate<br />the 50th birthday of Marvin Granger, who was the originator of KPBX public radio.  <br />  <br /></font><font size="4"><em><strong>Words of Camus </strong></em></font><font size="3"> <br />soprano, violin, flute, bass  <br />10 minutes  <br />1982  <br />available in rough manuscript  <br />Soprano, violin, flute, bass.  <br /> <br /></font><font size="4"><em><strong> <br />Words of a Child&#146;s Novena </strong></em></font><font size="3"> <br />piano, tuba, soprano  <br />12 minutes  <br />Christmas, 1983  <br />available  <br />Commissioned by Sam Pilafian, of the Empire Brass Quintet (Boston, MA) for soprano Ann<br />Fennessy. Based on a poem written by a child in a mental institution: Tie a rope to the ceiling/ Then get a tipsy bar stool/ Stand on the stool/ When your good fairy comes/<br />and tells you a reason to live/ Jump for joy. Rick Fisher, age 9  <br /> <br /></font><font size="4"><em><strong>Flowers, Finches, Fools, Love, Truth, and Death</strong></em></font><font size="3">piano and soprano  <br />6 minutes  <br />Christmas, 1983  <br />available  <br />Composed for the retirement concert of Margaret Saunders Ott. Performed by Ann Fennessy<br />and Linda Siverts. Setting of four poems by e.e. cummings.  <br />  <br /></font><font size="4"><em><strong>Requiem </strong></em></font><font size="3"> <br />flute, violin, cello  <br />12 minutes  <br />1983  <br />available  <br />Composed on the death of Cherie Merel, a student at Whitworth College who died in a car accident.  <br /> <br /></font><font size="4"><em><strong> <br />Young Woman at a Window, This is just to say. </strong></em></font><font size="3"> <br />Soprano and Guitar  <br />5 minutes  <br />January 1983  <br />available  <br />Composed for Linda Siverts and Ann Fennessy  <br /> <br /></font><font size="4"><em><strong> <br />Piano Prelude #5 </strong></em></font><font size="3"> <br />piano  <br />6 minutes  <br />1984  <br />available  <br />Composed for pianist Steve Knoll in exchange for a chess set which he made of wood.  <br /> <br /></font><font size="4"><em><strong>Gable Mountain </strong></em></font><font size="3"> <br />piano  <br />8 minutes  <br />1988  <br />available  <br />Gable Mountain is located on the Hanford Nuclear Reservation and has become part of the<br />lore of the Department of Energy and the Federal government. Tunnels were dug into the mountain as part of preliminary work for the proposed waste depository at Hanford. For<br />centuries prior to the government's appropriation of this area, Gable Mountain of Nuk-Shy was part of the rituals and ways of area Indians. The mountain was a sacred<br />place where young Indian men would go for a vision quest their imitation into manhood.<br />Cairns of rock piles associated with these vision quests as well as hunting implements<br />were found on Gable Mountain. Area tribes are currently seeking access to this ancestral<br />site. In 1988 the Hanford Education Action League commissioned Don Caron to write a piano solo for performance by Kendall Feeney based on the theme of Gable Mountain.  <br />  <br /></font><font size="4"><em><strong>Four Ambiguous Options </strong></em></font><font size="3"> <br />cello and piano  <br />8 minutes  <br />1993  <br />available  <br />Commissioned by Theatre Ballet of Spokane. Choreographed by Elizabeth Carlssohn.  <br /> <br /></font><font size="4"><em><strong>Serenade Adage </strong></em></font><font size="3"> <br />Three part strings  <br />12 minutes  <br />May-June, 1993  <br />available  <br /> <br />May 26, 1994 <br />Spokesman Review <br />Kim Crompton, staff reporter <br /> <br />C. Paul Sandifur Jr. never imagined that a commissioned piece of classical music he gave<br />to his wife, Helen, last fall as a heartfelt birthday gift eventually would capture a much larger audience. Snippets of the 12 minute long work, which was written by noted local<br />composer Don Caron and performed by Caron on a synthesizer, now are heard by callers to<br />Metropolitan Mortgage &amp; Securities Co. who are put on hold. Karleen Blanchard, Metropolitan's telecommunications supervisor, says, it's soothing music. We get a lot of compliments on it.  Michael R. Smith, who manages the Met, the<br />Metropolitan-owned performing arts center, gave Blanchard the idea of using the gift piece<br />for on-hold music. Now, he says, I've had an unbelievable number of people want to buy it.<br /> <br />Sandifur, who is president and CEO of Metropolitan, says he was really taken <br />with the piece when he had it composed, and it surprised him that others like it.<br />Demand for it has been strong enough that the piece now is planned for inclusion on a compact disc scheduled for release this fall. The CD will contain music by local composers and musicians, and will help commemorate the Met's sixth anniversary, Smith says.  <br /> <br /></font><font size="4"><em><strong>The Endless Echo of Anomaly </strong></em></font><font size="3"> <br />clarinet, cello, percussion, piano  <br />10 minutes  <br />January and February, 1994  <br />available  <br />Commissioned by Kendall Feeney through a grant from Artist's Trust.  <br /> <br /></font><font size="4"><em><strong> <br />Paradigm Shifts </strong></em></font><font size="3"> <br />orchestra  <br />20 minutes  <br />1996  <br />available  <br />Commissioned by The Spokane Symphony to commemorate the 5oth birthday of the Symphony.  <br /> <br /></font><font size="4"><em><strong>Concerto for Piano and Orchestra</strong></em></font><font size="3">  <br />piano, winds and brass in pairs, strings  <br />20 minutes  <br />2002  <br />available  <br />Commissioned by the Washington Music Teachers Association in conjunction with the composer of the year award for 2002 .<br /> <br /></font><font size="4"><em><strong> <br />Victor, The Musical</strong></em></font><font size="3">  <br />orchestra, choir, solo voices  <br />2 hours, 12 minutes  <br />2003  <br />available in piano/vocal reductions  <br />A full length musical based on Frankenstein; the book by Mary Shelley. Music by<br />Don Caron. Lyrics by Kimberly Hinton.]]></description>
            <guid>http://doncaron.com/news.html#2</guid>
            <pubDate>Sun, 20 Nov 2005 00:00:00 -0800</pubDate>
            <source url="http://doncaron.com/news.html">Original piano music - Don Caron bestsellers - Music for Ballet Class - Scores</source>
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